| B | Ebm | E | B | | Opera | tor could you | help me place this cal | l. |
|
| C#m | F# | Abm | F# | | See the number on the | matchbook is old and | faded. | |
|
| B | Ebm | E | B | | She's living in L | .A., with my best | old ex-friend ray | . |
|
| C#m | F# | Abm | F# | | A guy she said she | knew well and sometimes h | ated. | |
|
|
|
|
| B | E | B | | | Isn't that the w | ay they say it g | oes. |
|
| E | F# | | Let's fo | rget all t | hat, |
|
| B | C#m | | and g | ive me the number if you | can find it, |
|
|
| F# | Abm | E | | just t | o tell them I'm f | ine and to sh | ow, |
|
| F# | E | | I | 'm overcome With | glow(?) |
|
| E/Eb | | Learned to take it wel | l. |
|
| C#m | B | | I only wish my | words could convince | myself |
|
| F# | E | | that it just wasn't r | eal. But that' | s not the way it feels. |
|
|
|
|
|
Operator could you help me place this call. I can't read the number that you |
|
|
just gave me. There's something in my eyes, you know it happens everytime I |
|
|
think about a love that I thought would save me. |
|
|
|
|
|
|
|
|
Operator, you can forget about this call. There's no one there I really |
|
|
wanted to talk to. Thank you for your time, you've been so much more than |
|
|
kind, but you can keep the dime. |
|
|
|
|
|
Home
